S49 Bonus - Writing Roots Blooper Reel
Thank you for listening to another year of Writing Roots!
S49E8 - What Do I Do If All I'm Writing is Dialogue?
For all forms, writing dialogue is almost like writing music. I pay close attention to rhythms and tones. - Sefi Atta
S49E7 - How Do I Determine Comp Titles for My Book?
Engaging in the literary world and discovering what books are out there is always beneficial. Consider the comp hunt both a rite of passage and a learning opportunity—and may the odds be ever in your favor. - Star Wuerdemann
S49E6 - If I Want to Be a Career Author, Should I Stick to One Genre?
Good writing is good writing. In many ways, it’s the audience and their expectations that define a genre. A reader of literary fiction expects the writing to illuminate the human condition, some aspect of our world and our role in it. A reader of genre fiction likes that, too, as long as it doesn’t get in the way of the story. - Rosemary Clement-Moore
S49E5 - Why Does My Writing Seem Basic Even When I Have a Big Vocabulary?
In writing fiction, the more fantastic the tale, the plainer the prose should be. Don’t ask your readers to admire your words when you want them to believe your story. - Ben Bova
S49E4 - What is the Difference Between a Complete Monster and a Regular One?
Since childhood, I've been faithful to monsters. I have been saved and absolved by them, because monsters, I believe, are patron saints of our blissful imperfection, and they allow and embody the possibility of failing. - Guillermo del Toro
S49E3 - How Do I Build a Military for a Spec Fic Story?
World-building can be as complicated or as simple as your story needs it to be. - Moriah Richard
S49E2 - Is Having Multiple POVs the Same as Head Hopping?
With third-person limited, we want to ensure that the character’s beliefs are reflected in the narrator’s description of things. Not by necessarily telling us what the character thinks, but by coloring in their fictional world - setting, people, events - with the character’s perspective, informing the words selected. - Peter Mountford
S49E1 - Why Do You Have a Podcast?
In teaching writing, I’m learning new things about writing. - David B Coe
S48E9 - How to Identify Sexism
I don’t try and write strong female characters or strong male characters. I just try and write, hopefully, strong characters and sometimes they happen to be female. - JJ Abrams
S48E8 - How to Identify When Nothing Happens
I write a lot of material that I know I’ll throw away…. I have to write hundreds of pages before I get to page one. - Barbara Kingsolver
S48 Bonus - How to Identify Progress in Writing, AKA The Blackmail Episode
You do an awful lot of bad writing in order to do any good writing. Incredibly bad. I think it would be very interesting to make a collection of some of the worst writing by good writers. - William S Burroughs
S48E7 - How to Identify Head Hopping
It is not the task of the writer to 'tell all', or even decide what to leave in, but to decide what to leave out. - Caitlin R. Kiernan
S48E6 - How to Identify Contradictions in Writing
I write to keep from going mad from the contradictions I find among mankind - and to work some of those contradictions out for myself. - Michel de Montaigne
S48E5 - How to Identify Poor and Excessive Descriptions
I write, “Jane came into the room and sat down on the blue couch,” read that, wince, cross out “came into the room” and “down” and “blue” (Why does she have to come into the room? Can someone sit UP on a couch? Why do we care if it’s blue?) and the sentence becomes “Jane sat on the couch – ” and suddenly, it’s better. - George Saunders
S48E4 - How to Identify Sentences with Too Many Characters
Through an arbitrary problem, I had arrived at a tenet of good writing: brevity wins. - Michael Winter
S48E3 - How to Identify: Extra Adjectives and Adverbs
The most valuable of all talents is that of never using two words when one will do. - Thomas Jefferson
S48E2 - How to Identify a Confusing Timeline
Making sure that the geography and timelines work is always the hardest part of writing. But you owe it to the readers to get it right. - Michael Scott
S48E1 - How to Identify Good Writing
Good writing can be defined as having something to say and saying it well. - Edward Abbey
S47E9 - Adding Foreshadowing During Editing
Jacques : This place... is cursed.Red : What is it with you and curses?Spivey : He ain't happy without a good curse. 'This is cursed. That is cursed. 'Red : Give it rest, will ya! - The Mummy Returns (2001)