S45 Bonus - Being an Author Editors Want to Work With
The secret to editing your work is simple: you need to become its reader instead of its writer. - Zadie Smith
S45E7 - Questions for the Author/Editor Interview
Editing is a kind of creative activity where, in a perfect world, an author and an editor find that elusive oneness to understand each other intuitively. - Sahara Sanders
S45E5 - Style Guides for Editing
For the relationship to work, the writer and editor must respect each other’s expertise and passion. - Rebecca Wenrich Wheeler
S45E4 - The Job of a Proofreader
It’s hard to take someone seriously when they leave a note saying ‘your ugly.’ My ugly what? The idiot didn’t even know the difference between your and you’re. - Cara Lynn Shultz
S45E3 - The Job of a Line Editor
Words. Words. I play with words, hoping that some combination, even a chance combination, will say what I want. - Doris Lessing
S45E2 - The Job of a Developmental Editor
Editing should be, especially in the case of old writers, a counseling rather than a collaborating task. The tendency of the writer-editor to collaborate is natural, but he should say to himself, ‘How can I help this writer to say it better in his own style?’ and avoid ‘How can I show him how I would write it, if it were my piece?’ - James Thurber
S45E1 - Becoming an Editor
Editors have to be vicious. They’re working for the reader, not the writer. - Brendan Wolfe
S40E2 - Finding Motivation to Edit
I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. - Chuck Klosterman
S22 Bonus - Favorite Moments
Good friends, good books, and a sleepy conscience: this is the ideal life. - Mark Twain
S22E5 - Fog and Flame: Take it Back Now Y'all!
This parrot is no more. It has ceased to be. It’s expired and gone to meet its maker. This is a late parrot. It’s a stiff. Bereft of life, it rests in peace. If you hadn’t nailed it to the perch, it would be pushing up the daisies. It’s rung down the curtain and joined the choir invisible. This is an ex-parrot. - Graham Chapman
S22E4 - K/D Ratio: Setup and Payoff
There’s an old rule of theater that goes, “If there’s a gun on the mantle in act one, it must go off in act two.” The reverse is also true. - Steven King
S22E3 - Fog and Flame: First-Person Omniscient
The voice of the narrator who knows the whole story cannot be dismissed as old-fashioned or uncool. It’s not only the oldest and the most widely used storytelling voice, it’s also the most versatile, flexible, and complex of the points of view. - Ursula K. LeGuin
S22E2 - K/D Ratio: Structural Changes
Plots may be simple or complex, but suspense and climactic progress from one incident to another, are essential. - HP Lovecraft
S13E3 - Worrying About Word Count
I feel thin, sort of stretched, like butter scraped over too much bread. - JRR Tolkein
S11E6 - Edit: Why Editing is Essential for the Business of Publishing
Writing without revising is the literary equivalent of waltzing gaily out of the house in your underwear. - Patricia Fuller
S5 Bonus - Battle of the Hosts: Adverbs
The miracle is the adverbs, the way things are done. - Daniel HandlerI believe the road to hell is paved with adverbs, and I will shout it from the rooftops. - Stephen King
S2E7 - Audiobooks
“We will speak for the books.""Like the Lorax?""The Lorax speaks for the trees.""Books are made out of paper.”“Paper is made out of trees.""What about e-books?""We can speak for them too.""Audiobooks?""Audiobooks speak for themselves."― Paul Acampora
S2E6 - Marketing Yourself and Your Book
Advertising brings in customers, but word-of-mouth brings in the best customers. - Jonah Berger