S41E6 - Writing Emotions: Smugness
I’m being extremely clever up here, and there’s no one to stand around looking impressed. What’s the point in having you all? - Doctor Who
S41E5 - Writing Emotion: Vengeance
I don't know who you are. I don't know what you want. If you are looking for ransom I can tell you I don't have money, but what I do have are a very particular set of skills. Skills I have acquired over a very long career. Skills that make me a nightmare for people like you. If you let my daughter go now that'll be the end of it. I will not look for you, I will not pursue you, but if you don't, I will look for you, I will find you and I will kill you. - Taken
S41E4 - Writing Emotions: Physical Pain
Westley: To the pain means the first thing you will lose will be your feet below the ankles. Then your hands at the wrists. Next your nose.Prince Humperdinck: And then my tongue I suppose, I killed you too quickly the last time. A mistake I don't mean to duplicate tonight.Westley: I wasn't finished. The next thing you will lose will be your left eye followed by your right.Prince Humperdinck: And then my ears, I understand let's get on with it.Westley: WRONG. Your ears you keep and I'll tell you why. So that every shriek of every child at seeing your hideousness will be yours to cherish. Every babe that weeps at your approach, every woman who cries out, "Dear God! What is that thing," will echo in your perfect ears. That is what "to the pain means." It means I leave you in anguish, wallowing in freakish misery forever. - The Princess Bride
S41E3 - Writing Emotions: Terror and Horror
Nobody knows what a boggart looks like when he is alone, but when I let him out, he will immediately become whatever each of us most fears. This means that we have a huge advantage over the boggart before we begin. - Harry Potter and the Prisoner of Azkaban
S41E2 - Writing Emotions: Courage
Peter did not feel very brave; indeed, he felt he was going to be sick. But that made no difference to what he had to do. - C.S. Lewis; The Lion, The Witch, and the Wardrobe
S41E1 - Writing Emotions: Reverence
The wealth of this world isn’t in the ground, it’s all around us. The Na’vi know that and they are fighting to defend it. If you want to share this world with them, you need to understand them. - Avatar
S40E8 - The Post-Launch Mindset
Launching a new book is kind of scary; you spend such a long time alone with your characters, and then, in one sudden moment, they’re running wild into the hands of strangers. - Nanette L. Avery
S40 Bonus - Crafting a Book Blurb with Jessie of Book Blurb Magic
Question any thinking person as to why he 'never reads novels', and you will usually find that, at bottom, it is because of the disgusting tripe that is written by the blurb-reviewers. - George Orwell
S40E7 - The Pre-Launch Mindset
There’s a lot more to publishing a book than writing it and slapping a cover on it. - Vince Flynn
S40E6 - Why to Get a Sensitivity Reader
We all try to do the best we can. We will never please everyone. All we can do is try to write with empathy and honesty. And listen to the people around us, acknowledge mistakes we make, and keep trying to improve. - Anindita B. Sempere
S40E5 - Writing an Author Bio
No one can discover you until you do. Exploit your talents, skills, and strengths and make the world sit up and take notice. - Rob Liano
S40E4 - Meeting Target Word Counts
I'm always pretending that I'm sitting across from someone telling them a story and I don't want them to get up until I'm finished. - James Patterson
S40E3 - What Makes a Good Chapter
Usually, when people get to the end of a chapter, they close the book and go to sleep. I deliberately write a book so when the reader gets to the end of the chapter, he or she must turn one more page. - Sidney Sheldon
S40E2 - Finding Motivation to Edit
I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. - Chuck Klosterman
S40E1 - Accepting Imperfection
I edit my own stories to death. They eventually run and hide from me. - Jeanne Voelker
S39E9 - Using Subtext in Dialogue
Words have the capacity for deception. They're all full of subtext, and some of them are cliche and overused and vernacular. They're tricky. All I can say is, words are tricky. - Andrew Bird
S39 Bonus - Giving Your Characters Choices
"[The sorting hat] only put me in Gryffindor," said Harry in a defeated voice, "because I asked not to go in Slytherin…""Exactly," said Dumbledore, beaming once more. "Which makes you very different from Tom Riddle. It is our choices, Harry, that show what we truly are, far more than our abilities." - JK Rowling
S39E8 - Starting Sentences Without Using the MC's Pronoun
Your passion for words and sentence structure should equal a painter’s passion for color and brushstroke. - Andrew McAleen
S39E7 - Understanding Psychic Distance for Your Writing
The remedy is to abandon the larger for the smaller… to do the small thing closely and deeply rather than the big thing loosely and superficially. - Colson Whitehead
S39E6 - Knowing How to Use Italics in Your Novel
In writing a weird story, I always try very carefully to achieve the right mood and atmosphere and place the emphasis where it belongs. - HP Lovecraft