S3E5.5 - Murder 102: Director's Cut
They taught me that inhibitions would kill me. Hit early, hit hard. Kill with the first blow. Get your retaliation in first. Cheat. The gentlemen who behaved decently weren’t there to train anybody. They were already dead. - Lee Child
S3E5 - Murder 101
Hit early, hit hard. Kill with the first blow. Get your retaliation in first. - Lee Child
S3E4 - Weather and Architecture
The weird thing about houses is that they almost always look like nothing is happening inside of them, even though they contain most of our lives. I wondered if that was sort of the point of architecture. - John Green
S3E3 - Building Magic Systems
One of my challenges [as a writer] is to make sure that I'm giving the reader details that the character cares about rather than details that I care about. I’d say that's key to world-building. - Jessica Andersen
S3E2 - Magic and Technology
Any sufficiently advanced technology is indistinguishable from magic. - Arthur C Clarke
S3E1 - Writing Outside Your Expertise
Though in this genre we write about the fantastic, the stories work best when there is solid grounding in our world. - Brandon Sanderson
S2E9 - Release and Launch
All readers come to fiction as willing accomplices to your lies. Such is the basic goodwill contract made the moment we pick up a work of fiction. - Steve Almond, WD
S2 Bonus - Writing Emotion: Mad, Glad, Sad, and Scared
Don’t use adjectives which merely tell us how you want us to feel about the thing you are describing. I mean, instead of telling us a thing was “terrible,” describe it so that we’ll be terrified. Don’t say it was “delightful”; make us say “delightful” when we’ve read the description. - CS Lewis
S2E8 - Preparing the Metadata
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story. - Tom Clancy
S2E7 - Audiobooks
“We will speak for the books.""Like the Lorax?""The Lorax speaks for the trees.""Books are made out of paper.”“Paper is made out of trees.""What about e-books?""We can speak for them too.""Audiobooks?""Audiobooks speak for themselves."― Paul Acampora
S2E6 - Marketing Yourself and Your Book
Advertising brings in customers, but word-of-mouth brings in the best customers. - Jonah Berger
S2E5 - Designing Your Own Cover
Good cover design is not only about beauty. It’s a visual sales pitch. It’s your first contact with a potential reader. Your cover only has around three seconds to catch a browsing reader’s attention. You want to stand out and make them pause and consider, and read the synopsis. - Eeva Lancaster
S2E4 - Beta Readers
I don't care if a reader hates one of my stories, just as long as he finishes the book. - Roald Dahl
S2E3 - Being Edited
I would advise anyone who aspires to a writing career that before developing his talent he would be wise to develop a thick hide. - Harper Lee
S2E2 - Self Editing: Proofing and Continuity
Don’t tell me the moon is shining; show me the glint of light on broken glass. - Anton Chekhov
S2E1 - Self-Editing: The First Chapter
An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this. - Stephen King
S1 Bonus - The Forge
“The isolated imagination is easily corrupted by theory, but the writer inside his community seldom has such a problem.” - Flannery O'Connor
S1E9 - Alpha Readers and Developmental Editors
“A problem that a character can walk away from is a book a reader can walk away from.” - Unknown
S1E8 - Getting it Written
“If you want to be a writer that's the hardest and most important lesson: Finish it. Then go back to fix it.” - Tad Williams
S1E7 - Worldbuilding: Fantasy and Magic
If you don’t think there is magic in writing, you probably won’t write anything magical. - Terry Brooks